In this short scene, aditya bidsikar open one of the curtains so that he can sleep. When he wakes up, he finds that the curtains have been opened so that the dove vultures can circle the dead. He tells aditya that he is already dead, and that the eartheater, the god of death, has set him upon. aditya says that he has a plan to remove himself from the world. He says that each mark he has made is an inspiration to shed one's self. He adds that he owes a debt of gratitude to the oracle of Casandrasandra for the watch that keeps him safe from the "cosmic dread beast poetry." aditya then tells izzy that they are on a mission to "do chivalric and derring-do" . The dove vultures have named him the "eartheater" because he is a "mere vessel" of the "in motion dread" , an "avatar of the in-motion dread" that enforces its own will. He also says that his muse, Isabel, is his muse.
In this short scene, aditya bidsikar open one of the curtains so that he can sleep. When he wakes up, he finds that the curtains have been opened so that the dove vultures can circle the dead. He tells aditya that he is already dead, and that the eartheater, the god of death, has set him upon. aditya says that he has a plan to remove himself from the world. He says that each mark he has made is an inspiration to shed one's self. He adds that he owes a debt of gratitude to the oracle of Casandrasandra for the watch that keeps him safe from the "cosmic dread beast poetry." aditya then tells izzy that they are on a mission to "do chivalric and derring-do" . The dove vultures have named him the "eartheater" because he is a "mere vessel" of the "in motion dread" , an "avatar of the in-motion dread" that enforces its own will. He also says that his muse, Isabel, is his muse.